When I tell people that I teach ‘Imaginative and Literary Apologetics’ I am often met with a non-plussed look.
Some people are simply unfamiliar with the term ‘Apologetics’. They presume it must have something to do with saying sorry for Christianity – when, of course, it actually means giving reasons why Christianity can be considered credible.
And those people who are familiar with the term ‘Apologetics’ often assume it has just one dimension: that it’s all about giving reasons for Christianity’s credibility by showing the rationality of its claims to truth. But ‘Apologetics’ means more than that, – and for good reason. To concentrate solely on the ‘truth claims’ of Christianity runs the risk of turning the faith into a mere system of thought, a set of reasonable propositions to which its adherents intellectually grant assent.
Of course, belief in Christianity does include assent to certain propositions, and those propositions need to be grappled with by our intellects working logically and rigorously. But Christianity is more than a set of propositions. It’s not just something that’s true, it’s also something that’s good and beautiful. There are moral and artistic dimensions to Christian faith as well as philosophical dimensions. If apologists are to show how Christianity is fully credible, it needs to be demonstrated as the answer to ethical needs and aesthetic desires as well as to intellectual enquiries.
These three dimensions – the ethical, the aesthetic, and the intellectual – can’t be treated in hermetically sealed compartments when it comes to Apologetics. Indeed, part of the credibility of the faith resides in the fact there is connection and overlap and interinanimation between these three areas; the Christian life is an organic and integral whole. However, for the sake of clarity we can usefully divide Apologetics into the rational, the moral, and the artistic. Continue reading